Tag Archives: poems

Sodom

by Meg Eden

warmth by Kris VargaWhen the sky grew dark
and yellow, someone laughed:
It’s the end of the world!

Well, fuck! I said
and let in
my next customer.

Men and women
knock down my doors
to have sex with me,

I charge them now
to avoid
an affront to my body.

Finish reading the rest of this poem in Sulfurings: Tales from Sodom & Gomorrah, or download the book at:

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It’s Raining Again, Let The Deluge Begin

Deluge: Stories of Survival & Tragedy in the Great FloodWhat would happen if a sudden torrential downpour destroyed all of America in the space of 40 days and 40 nights? What if a volcanic eruption on the moon Io resulted in a massive raining down of sodium chloride in which a future exploratory party from Earth was caught up and their space-to-surface vehicle destroyed? What if ….

Submissions Now Open For Deluge Anthology

The most asked question the garden gnomes have received in the past two months is, When will Deluge: Stories of Survival and Tragedy in the Great Flood come out? Sorry, but we’ve been dragging our feet–for a number of reasons (and not all of them bad).

But here’s the bottom line: We don’t have enough quality submissions yet to answer that question.

We have probably half the number of flash fiction stories I’d like to see and no poems or essays. Curiously, we received more short story submissions for this anthology than we did for either of the previous two–Garden of Eden or Sulfurings: Tales from Sodom & Gomorrah. We’re not sure what that means.

What we didn’t get were any essays, nor did we receive any poems that we’d consider. So I’d like to talk about what we’d like to see and then open the door to possibilities.

Can A Poem Be Speculative?

If you have read Frederick Turner’s epic poem Genesis, then you might answer in the affirmative. But that poem is written in a formal style, and that’s not what we’re looking for. Although, you might say we’re interested in poems that deal with epic themes.

In a nutshell, these are the types of poems the garden gnomes enjoy:

  • Narrative – They may be lyrical, but they must be narrative. If you don’t know what this means, don’t submit.
  • Poetic – Sorry, but we have an aversion to prose poems, which may contain poetic elements, but they are prose. On an electronic reading device, most readers will not be able to tell the difference between a prose poem and a flash fiction or short story. Therefore, we’re more interested in poems that have a distinctive poetic form whether they be free verse or formal.
  • Speculative – The poem must deal with a “what if?” It can fall into a horror genre, fantasy, science fiction, a punk genre, or any of the other speculative fiction genres, but it should approach the subject matter with speculative awe.
  • Weird – Let it be weird. The weirder the better.
  • Literarily awesome – We’re not looking for literary poems. There are journals that will publish these. If it would fit into Poetry magazine or The New Yorker, we don’t want it. If you could submit it to Tin House, Rattle, or any poetry journal with the word “Review” in its title, then we don’t want it. If you’re not sure where you could send it to have it accepted, but you still believe it is high quality poetic limestone, then send it our way.
  • Flood-related – Address the anthology theme.
  • Long – We want at least 50 lines and up to 500. Lines. Not words, not characters.

We realize it is more challenging to pen a poem than a short story or flash fiction story. If you can’t do it, don’t try. This is a challenge for the poets. However, we reserve the right to move away from poetry if we can’t find what we’re looking for.

What’s a Speculative Essay?

We garden gnomes have always been surprised that we don’t get many attempts at essays. It’s not even hard to write one. And we’re not really asking for long ones. We’re just asking for essays that address the theme in a more creative way than an academic essay would answer anything (do they really answer anything?). Types of essays creative nonfiction we’re interested in include:

  • Reported essays – Take the theme, do some research, interview an expert or two, and write a damn good story, creatively. No stodginess.
  • Personal essays – Have you survived a flood? Do you know someone who has? Have a personal take on a flood? Take us there. Think Hunter S. Thompson meets Annie Dillard with an Edgar Allan Poe twist, or a dash of Philip K. Dick.
  • Creative essays – An essay generally starts with a statement or a question then proceeds to answer it. The use of facts, figures, anecdotes, etc. all serve to support the main idea. But we’re looking for something a little more creative. Not a linear logical argument, per se, but more of a journey through a maze that takes us from Point A to Point B and a personal discovery. Give us a denouement.
  • New Journalism – Gonzo, personal narrative where you are a part of a larger story. Combine fact with fictional technique.
  • Hybrid essays – Fact with a little fiction, as opposed to fiction with a little fact. Make a point, but don’t be afraid to stray from the thin lines of reality. If it’s interesting, we’ll consider it.

A speculative essay may start with a “what if” question or end with one. What if Hurricane Katrina had gone further inland? Could it have destroyed Baton Rouge the same way it took down New Orleans? What if it went west and destroyed Houston instead? What if global warming accelerated to the point where all world coastal cities were under water within ten years? What if the Great Flood was local and only affected those in present day Iraq.

There are a ton of directions you could go with a flood-related essay. Use your imagination. Tell us a story that could be reality TV.

Is Speculative Fiction Dead?

We still want flash fiction and short stories. If for some reason we don’t get enough publishable poetry or essays, we’ll fill up the anthology with more fiction. That can’t be bad, right?

You’re welcome to send us a novelette up to 20,000 words. If we like it, we’ll publish it and pay you for it. Otherwise, we are accepting additional short stories and flash fiction stories from 300 to 10,000 words. Read more on our BLAS anthologies guidelines page. For more specific information regarding Deluge: Stories of Survival & Tragedy in the Great Flood, check out the guidelines page for that anthology.

The deadline is midnight EST November 23, 2014.

Send your submissions to submissions @ gardengnomepubs.com. Send your questions to editor @ gardengnomepubs.com.

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What Is A Narrative Poem?

By Allen Taylor

Chief Garden Gnome

Narrative poetry has fallen out of fashion. At one time, narrative poems were quite common. In fact, throughout much of history, poetry was used to tell a story much in the same way that fiction does today. Early literature was primarily written in verse or poetic form while still maintaining the elements of narrative.

So what constitutes a narrative poem as opposed to lyrical?

With lyrical poetry, the essence is wrapped up in the way the words fall together. The mode of expression is more important than the depiction of story. In fact, lyrical poetry may or may not tell a story at all. If it does, the mode of expression is at least equal in importance to the narrative if not more so.

By contrast, narrative poetry first and foremost tells a compelling story. Like good fiction – be it flash fiction, a short story, novelette or novella, or a full-fledged novel – it has to have a beginning, a middle, and an end. Central to its form is conflict, or tension.

That’s not to say that narrative poetry can’t contain lyrical elements. It most certainly can. A narrative poem can include any mode of expression common to any type of poetry. It can include elements of the avant-garde, surrealism, concrete poetry, rhyme and meter, typographical elements, various forms of alliteration, metaphor, irony, or any one of the other thousands of poetic elements in the poet’s bag of tricks. However, all of those elements must bow in service to the narrative itself and propel the action forward from rising action to the climax, the denouement, and the final line.

Narrative poems can be long or short as long as they tell a story. Very long narratives may rise to the status of epic as in the case of Homer’s Iliad and Odyssey, or they may simply be long narrative poems. On the other extreme, the could be as short as a Twitter poem.

They may or may not include characters, a plot, description and setting, or other elements of fiction. Or they may simply be constructed as dramatic monologues.

Narrative poetry is a flexible form. It has every bit of the same versatility as lyrical poetry with one primary ingredient that can’t and won’t be found in the latter – the story that begins, holds the reader’s attention through a narrative arc, and has a definite end that gives the reader a sense of satisfaction for having spent her time with the author. With all this going for it one must ask, why don’t poets write narrative poems any more?

The garden gnomes would like to invite you to submit a narrative poem to our next anthology, “Sulfurings.” Get more specific guidelines on all our Biblical Legends needs.

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